March 6

Sous-Potter Braum shares his pillow by the fire with my clay.

Sous-Potter Braum shares his pillow by the fire with my clay.

It is cold today.  March is a potluck of weather conditions.  But I don’t mind working in the studio when it is cold if I run the heater, have warm throwing water, and the clay isn’t cold.  Cold clay gives me an ice-cream headache.  I tried to speed up the warming process by putting the clay by the fire – which did help.  So Braum and I spent a wintry, March evening in the studio making bowls and tumblers (although I think he would have preferred remaining by the fire.)

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Throwing large

ChipDipMaking large pots seems is a challenge that all potters attempt.  In one sense, throwing a large pot is evidence of accomplished skill because it shows that a potter can maneuver the technical challenges to handling a lot of clay.

After I had been throwing for a few years, I got obsessed with making a ‘grapefruit bowl’, i.e. a bowl large enough to contain a week’s worth of grapefruit and worthy enough to occupy the place of honor on my kitchen table.  It took quite a while and resulted in several bad bowls.

Now, I am able to make larger pots but they aren’t gigantic like some potters make.  In fact, most of the things I make on a regular basis are less than 5 lbs.  However, I like large platters and big bowls (8-10 lbs) and I do make them occasionally.  As I learned to throw larger pots, I realized there are two main obstacles to making bigger pots:

Sufficiency:  This is the easier of the two problems to solve.  Add more clay.  As beginners, we usually start with 1-2 lbs to learn centering and pulling.  But, you can’t make huge bowls with 2 lbs of clay so we need to start with a larger amount.  This can be scary because it challenges the kinesthetic muscle memory that we have been developing.  And, it can be frustrating because it makes us feel like beginners as we re-face challenges of centering and pulling a larger amount of clay.  The best advice I was given was increase the amount of clay incrementally by 1/4 – 1/2 lb.  Keep practicing and increasing the clay until you make the size that you are satisfied with.

Efficiency:  This is the more difficult challenge.  When I started throwing 3lb bowls, they weren’t much larger than my 2lb bowls.  This was because I didn’t use the clay efficiently   I lost a lot trying to center; too much clay was left in the bottom of the pot; and, I threw the pot off center which prevented me from get any more out of the clay.  The truth is, there is really no victory in throwing a 2 lb bowl with 3 lbs of clay.  The resolution to the efficiency challenge is practice (and more practice).  Don’t add clay until you throw a lesser amount well; after-all, the challenges that you face making a small bowl become harder to manage with increased clay.

Here are some great exercises that helped me increase the size of my pots.

Triple Pots:  Weigh three balls of equal amounts of clay within your throwing range (ex. three 2 lb. balls).  Pull each to maximum height within three pulls.  It is likely that your third pot will be your largest.  You should be moving a lot of clay into the body of your pot in the initial pulls.

Incremental Pots:  Weigh three balls of clay adding a 1/2 lb to each ball (ex. 1 lb, 1.5 lb, and 2 lb).  Pull each to maximum height within three pulls.  If you don’t see a variation in size, practice again and pay attention to where you are leaving the clay.

Salvage Pots:  After you have gained mastery over a volume of clay and you increase the amount, it is likely that your first attempt will result in a wonkey pot.  If you are reluctant to collapse the pot and re-wedge the clay, use this to cultivate a creative solution – carve it, alter the rim, make a chip and dip, oval/square the bowl, add embellishments,  etc.  By attempting to salvage the wonkey pot, you may stumble on an idea that will help you develop your own clay voice.

 

 

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The List

Photo by S8 and Nassim

Photo by S8 and Nassim

February is in full swing.  Last month, I was focused on closing out 2012 and preparing for 2013.  But now, I am back in the studio and I have been enjoying the time working on various pot forms.   But Julie wanted a little more structure and one of the things that she asked for was a list of pots to make on a monthly basis.  So based on last year’s work, we each have a list of things to make; I hope this will help keep things balanced during the busier times of the year.

Although I like lists (well, that is an understatement), I recognize that I need to use the list to help me develop new ideas rather than re-create old ones because I could get sucked into finishing the list rather than creating new and soulful pottery.

Last year, I corralled all my clippings and notes for pottery ideas and put them in a box – mostly to get them in one place.  If I make some time to flip through the box, and pick an idea to try while I work on the list, it could help keep the list from being just a checklist.  I just need to remember to make time for the box.

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Common Questions

Photo by Sp8 & Nassim

Photo by Sp8 & Nassim

Although pottery isn’t my full time pursuit, I treat it professionally.  That means, I set time to work in the studio and then go there; I maintain a website and have business cards; and, I keep financial records.  Since I often get asked logistical questions about A Bit Off Center, I thought I would share a few of the most common ones.

You make a lot of pots; when do you do it?  Each week is different; but, essentially, I work a few afternoons from 4 til 630 and Saturday with Julie.  I have a studio at home, so I often work for short sessions on ‘off’ evenings.  I enjoy my studio so it isn’t hard to find time to get in there.  Pottery keeps me from watching a lot of TV!

How did you get started selling?  I wanted to make better pots so I made a lot of pots.  Julie and I knew each other from the community studio so we worked together for company.  Then we saw a local Craft Show and split a booth.

Is it hard to get into/do craft shows?  Some shows are juried which means you submit photos of your work and they select the participants.  Other shows are entered by paying  fee.  Neither is difficult (except it helps to have really good photos).  Doing the shows is a lot of work and planning.  It requires having a booth (tables/shelves/tent), getting enough pots made, and making provision to take payment.

What is your best seller?  Mugs.  Everyone likes mugs.  We also sell a lot of small bowls and chip and dip servers.

What is your biggest expense?  Glaze.  It is expensive and we use a lot.  But, last year, our booth fees were almost as much as our glaze expenditure.

I wouldn’t want to make things because I have to.  How do you do it?  I think it is a mind set.  I don’t feel like I have to do anything.  It feels like I get to make pots and I like multiples – they feel like another opportunity to do it better or differently.

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Compound Pottery

MugMakingAfter the fullness of the holiday season, I enjoy the contemplative quiet of January which is why I have only just fired my first kiln load of the year.  And although I have been working in the studio, it has been at a much slower pace.  Last year, I worked steadily through the year and the end result was that I made over 300 mugs which is a bit overwhelming to think about but is also the magic of compound pottery.  A few pots made regularly result in a large accumulation of pots over time.

I have often referred to my number – that is the number of pots I can make at a time, remain interested, and avoid tedium.  For mugs, my number was 5.  (In fact, I made 5 mugs so often, that my number increased to 8.)  So essentially, I made 5 mugs a week last year which is less overwhelming to think about and makes the number of mugs that I plan to make this year seem very do-able.

What pots could you compound this year?

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Dynamic Duo

LimeFiestaS&C CrackleS&CI am a sucker for a cute sugar and creamer set (which might have something to do with my obsession with multiples).  But, there is something challenging and very satisfying about making two distinct pots relate to one another.

A potter can has several options that help two pots seem like they belong together.  Color is one of the easiest elements to incorporate into a set and it unifies pots regardless of how diverse.  Other design elements such as surface treatments, embellishments, or shape will also help relate pots to one another.  However, these elements are less easily translated across forms.

Potters are faced with the task of creating relational genetics among the ceramic members of the set in many situations (dinnerware/tea services/etc.).  If you are looking for a creative challenge, perhaps you can make a sugar and creamer set.  Send me a photo so I can be inspired by your work!

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New Platter

We were commissioned to complete a platter to coordinate with a leaf teapot that a customer had bought at a show last summer.  We were happy to comply and the end result was lovely.photo (9)

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New Year’s Goals for Creatives

DSCN1121One of the benefits of working in clay is that I get to meet lots of creative people – and not just potters.  I have met musicians  painters, book binders, knitters, weavers, jewelry makers and many other craftspersons.  The world is filled with interesting people who are actively pursuing a passion.  So regardless of what your medium of choice is, perhaps you are like me and desire to increase your creativity.   But if I am to make distinctive and soulful pots, then I need to pursue it because I know it won’t ‘just happen on its own’.  So here are some things I intend to do this year in order to cultivate creativity.

Take a monthly inspirational outing - I read this suggestion in a book on creativity, and, I implemented it last year.  The outings included concerts, walks, museums, historical sites, etc.  It wasn’t really about what I did but more about the attitude with which I did it.  I approached each outing with anticipation and attentiveness.  Although I didn’t have a plethora of new ideas after every outing, I was always revived.

Turn off the noise – This is a challenge for me and causes me a lot of discomfort because I tend to work and listen to audio books/podcasts/TV/music (you get the picture).  But, whenever I turn off the noise, I think of new things I want to try.   So I am going to try to incorporate more quiet in my work time.

Make an idea box – Gather all the clippings, quotes, writing, notes, pictures, recipes, or whatever you tend to accumulate.  Put them in a box and shuffle through them when you feel like you need a new idea.  I made the box last year; but this year I plan you select ideas and try to work them out in clay.

Take a workshop/class – This is always a great way to cultivate creativity.  Last year, I took a class in paper marbeling and one in book binding.  Sometimes it is fun to just dabble.  Even if you can’t go to a class, perhaps you can find some instructional courses on  You-tube.

Whatever your craft, I hope you find more ways to be inspired this year so you can fill this world with lovely expressions of yourself – and, if you have any suggestions that have been helpful to you, please share them!

 

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New Year’s Goals for a Potter

chipanddipI know I benefit from setting goals.  So to that end, I thought I would post a few suggestions for New Year’s Goals.

Throw larger – I often hear potters discuss making larger pots.  Try to double (or triple) the average size pot your throw well.  For example, if you throw a 3lb bowl, try to throw a 6lb bowl by the end of the year.

Select a glaze palette – Choose a few glazes and learn how they behave and how you can use them to showcase their best attributes.

Upgrade your tool kit – If you use community tools or if your tools are worn, try to upgrade a few of your most used tools.

Take a class or workshop – Never stop learning.  Sign up for a class with an instructor whose work you admire or who is showing a technique you haven’t tried.

Overcome that annoying challenge – Do you struggle pulling handles or making lids that fit?  Whatever it is that you seem to struggle against, plan to practice it in 2013 until you elevate your skill level.

These are just a few suggestions.  Whatever you work on this year, I wish you much success.

 

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A New Beginning

The New Year has begun.  And although I am optimistic about all 2013 has to offer, 2013 feels different…larger.   Perhaps that is because while I am welcoming the new year, I am also welcoming a new decade of my life and as I am contemplating goals for 2013, I  am also thinking about where I want to go in this new stage of life.DSCN2900

Working in clay has enhanced my life and pushed me beyond who I thought I could be.  But now I am asking myself why I am making pots.  I think that is a question all potters ask themselves.  In fact, it is one I ask all my beginning students.  Answers vary, but basically most of us can’t fight the compulsion to make pots.

That was my initial answer but I think that has changed.  For a while, I made pots in order to make better pots.  Learning how to throw was a challenge.  But having accomplished the basics, it seems appropriate to ask the question again.  Why am I making pots?

I love making pots; and I love the process.   I like planning and investigating shapes and designs.  I love how handmade pots enhance eating a meal and drinking a coffee.  Now, I want to create pots that are beautiful and soulful and I think this is my next pottery quest.

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